The momentum of the action IS given a great amount of life.
All in Action
The momentum of the action IS given a great amount of life.
The meeting between Optimus and Duke is handled with the kind of intensity that it really needs.
It’s always a pleasure to hang out with Felicia by way of G. Willow Wilson.
A staggeringly aggressive 9-page fight sequence
Ewing does an impressive job of juggling everything.
Howard and Tarr are a great match.
Bean manages a very sophisticated, little social satire.
Marguerite Bennett delivers one of the single best scripts she rendered for the series thus far.
It all hits the page quite dynamically.
Mora and Spicer have a hell of a lot of work to do with Kirkman’s script.
A firm rooting in a very deep emotional reality that feels quite refreshing.
Takara’s mastery of dramatic subtlety looks particularly brilliant.
Allen establishes a solidly interesting conflict for Dani.
Remender managers a very dark portion of his narrative with a relatively deft hand.
Pires has a lot of backstory to cover.
Kirkman has a solid handle on the scripting.
There is some degree of poetry in Snyder‘s script.
Wijngaard slams some very, very powerful moments into the page with some pretty overwhelming power.
It's both silly and absurd, while also being very appealing as an action horror concept.
It’s quite engaging.