Hits the page in a remarkably vivid nonverbal way.
All in Comedy
Hits the page in a remarkably vivid nonverbal way.
Ernie makes a great deal of progress in a largely satisfying fifth issue in the series.
An adventure that moves briskly across the page.
Doesn't really manage a hell of a lot of sophistication.
The best part of the issue has to be Pacheco’s wit, which keeps the action slick and enjoyable from cover to cover.
The overall sense of immensity and impending doom seems missing in an otherwise enjoyable finale.
Edginess comes across as childishness. It almost works.
Cate and Kate are just...really, really fun.
A sexy fascist villain returns with a pleasantly crude political satire.
So it is that a certain clown girl ends the run of her current series.
Boothby's wit is particularly sharp in a story of a father and his daughters.
Another satisfyingly strange issue.
An impressively diverse line-up of classy tales of larceny.
A respectable stylishness that fails to add any charm to the story.
Cain’s satire is bright and timely.
A jarring departure from the high weirdness that cartwheeled through the title in the second half of 2019.
The story as a whole misses some of the charm of the debut issue.
Superman’s Pal Jimmy Olsen remains DC’s funniest title with issue #7.
Second Coming #6 leaves the story unsettlingly up in the air.
The joke plays out pretty much as expected.