A very charming personality develops from this in very subtle and intricate ways.
All in Crossover
A very charming personality develops from this in very subtle and intricate ways.
The story as a whole misses some of the charm of the debut issue.
Hellmouth #4 just slouches along with weak writing.
Once again, Buffy the Vampire Slayer continues to be an MVP title for Boom! Studios.
Houser and company find something appealing in another hero-vs-hero story.
Houser would have needed a series twice the length she had to work with here to bring across the full depth of what she was attempting.
Wells finds some clever bits of comedy in the funny animal analog of the Marvel Universe.
Despite starting as an “event,” the 2099 storyline ends as a small origin story.
Year of the Villain: Hell Arisen #1 is completely superfluous.
The laughs themselves are a bit weak, but Russell and Norton host a fun, little 30-page party for anyone interested in attending.
A young hero leads a group of mid-list superheroes on a mission to save Death.
Hellmouth #3 feels like filler.
Absolute Carnage has been a good event, but it feels unfinished, and the final issue ends extremely abruptly.
A brilliant approach to an Indiana Jones/Tomb Raider-style adventure…with a bit of Ocean’s Eleven thrown-in.
Hellmouth #2 is competently drawn, if a bit hackneyed in its writing.
In a special Thanksgiving issue, Booster Gold teaches Harley the true meaning of Crossover.
Angel #6 is the strongest issue of the title to date, focusing on the supporting cast rather than the title character.
There are interesting little bits of promise emerging from an intriguing concept.
The series regains some momentum as CAFU puts in some very, very deft work.
Absolute Carnage #4 is dumb action, and thank God for it.