Orlando and Rossmo hit a surprisingly deep issue.
All in Drama
Orlando and Rossmo hit a surprisingly deep issue.
McGuire's writing is particularly sharp in this debut issue of the new series.
The final panels are very heavy-handed in their delivery, but they strike a powerful endnote.
A very engrossing story with a layout that is at times breathtaking.
The epic scope of Middlewest continues to impress.
Kibblesmith cleverly sets the mood of a bored god in Marvel Manhattan who is simply trying to find himself.
The action might feel stiff, but the horror of the drama is given vivid life.
Aaron and Hallum’s story continues to tumble through a pulpy, fun space adventure.
Thumbs is at its best when drama mixes with action in a dizzyingly tumultuous world of exploitation and revolution.
An immensely enjoyable opening chapter to the story of Jane Foster’s first steps as the last Valkyrie.
A new all-woman anthology series. It’s written by women. It’s drawn by women. It’s about characters who are women. Cool.
The messy grittiness of a police assault on a rural human trafficking outpost feels weird and stringy.
Even enchantingly expressive art by Simone Buonfantino can’t save a conclusion that is haunted by the possibilities of what might have been.
With any luck, there may be a resurgence in interest with this final issue and the subsequent trade collection.
The plot arcs quite elegantly in a series of scenes that make for a strange and bewildering adventure.
An awkwardly expository moment as a rather large crossover event crumbles towards its final issue.
Capably mixes adventure, mystery and a sense of wonder in its final issue.
Burglary mixes with mysticism in a cleverly simple story brought to the page with very stylish art.
A few different odd ends meeting together between two covers on the way out to a meeting with Lex Luthor.
Thumbs delivers a lot, but it’s difficult to tell quite where things are going in a blurry rush of exposition.