Catwoman takes to horror so well it might as well be her natural habitat.
All in Drama
Catwoman takes to horror so well it might as well be her natural habitat.
Continues to sparkle with flashes of cleverness around the edges in its second issue.
This month’s SFSX feels a lot like a post-mortem on the first six issues of the series.
A respectable stylishness that fails to add any charm to the story.
A very clean and dynamic execution of a basic action concept.
The story of Gwen’s dual lives continues under the clever chronicling of Seanan McGuire.
The emotional momentum of the series continues on the precipice of the turmoil.
It’s a smooth and easy prelude the moves along briskly.
An appealingly simple issue-length struggle.
A fairly even mix of earthbound life and the magic of something much bigger.
Horn’s script DOES occasionally call for a bit of viciousness.
There’s a refreshing newness about Aero that Liefen is casting in clean simplicity
The emotion is strong in a story with a plot just outside the realm of easy comprehension.
There IS a surprising amount of dramatic complexity rendered into the faces of the lead characters.
Madripoor feels very much like a natural habitat for Black Cat.
A massive issue which features a major turning point for the hero and a host of supporting stories.
Denny looks compellingly pummeled and disheveled as events rush around him.
Young provides just enough room in all the drama for Corona to give the world of Middlewest its unique visual fantasy.
it’s doing what it’s doing with so much sharp energy that it scarcely matters that it’s all heading in an obvious direction.
An infiltration of a dystopian government facility doesn't live up to the intensity it should have had.