Climbs out of its covers with stylish delivery of a big moment.
All in Drama
Climbs out of its covers with stylish delivery of a big moment.
A vicious issue.
Sheβs nowhere. Literallyβ¦A conflict in a blinding, white void.
Young has been careful enough to keep the romance developing slowly.
The darkness continues to amplify.
The final chapter in the opening series feels suitably intense.
Orlando and Tinto are closing the door on a cluttered mess of a series.
Andolfoβs world of angels and devils amplifies its complexity admirably in its second outing.
A lovely farewell to a very unique graphic story.
Bellaire is given some really fun opportunities to bathe the action in color.
Areas of Dianaβs identity and personality are given fresh light.
Conrad and Cloonan whisk Diana through a few different dimensions with impressively brisk pacing.
The second issue feels like a bit of a mess.
Mixes the nightmare collage imagery with strangely compelling drama.
Bellaire puts in a spectacular job with this issue's color.
She brushes a bullet out of her eye like a single tear.
Felicia is positively gorgeous, thanks to Reberβs work.
Another satisfying chapter in the life of Jessica Drew.
There's a really sharp fusion between script and panel.
Conrad and Cloonan point Diana in a really cool direction this time around.