Directionless energy allows Culver to explore the skewed psyches of his characters,
All in Drama
Directionless energy allows Culver to explore the skewed psyches of his characters,
Kudranski’s attempts at the profound only occasionally brush against something other than cliche.
There’s scarcely a subplot in sight.
Layman rides a pretty fine line between lighthearted situation comedy and something altogether darker.
It’s not a mindless action story.
Cady takes his time slowly advancing into the site.
Clark and Higgins allow the story to slowly fade in around the edges.
It’s really just one conversation.
Things seem to shift quite a bit in the first half of the first issue.
He’s a monster, but Lemire cleverly engenders sympathy for him.
Ravager feels like one of the more sophisticated treatments of the nightmare realm.
Ilhan and Morales openly embrace the garish nightmare.
Haun’s story might lack a little in vision.
Williamson is exploring aspects of Batman's past
Weisman keeps the action moving.
A sharply clever job of articulating bewildering complexity.
Grønbekk cleverly works with a large cast.
Another very strong and emotionally engaging story.
Rowell falls into uncomfortable romantic comedy territory.
Brisson is bringing across a very vivid and arduous journey.