Diggle does find some clever craftsmanship in setting and dialogue.
All in Drama
Diggle does find some clever craftsmanship in setting and dialogue.
Starrer finds real human drama in supernatural circumstances.
Phillips has a brilliantly crisp and distinctive sense of humor.
Leiz etches the passion into the page.
Walsh weaves the heavier horror of the story.
Buccellato is trying to do a bit too much.
Williams crafts a tight, little story.
Thereβs a real balance between the beautiful and the ugly.
Hill opens an intriguing murder/mystery story.
Itβs a pretty dizzying fusion.
Landini is at his best when heβs allowed to focus-in on the family drama.
Remender has a solid sense of cleverness.
Cannon is fairly brilliant with his execution of the tension.
Condon brings a sharp and clever pacing to the opening issue.
Johns narrowly misses a steaming pile of cliche.
Fleecs shifts deftly along the edge of plausibility.
Candonici beautifully renders the shifting emotional life of a disaffected high school girl.
And itβs not nearly as cool as it sounds.
So brilliantly delivered to the page with a scalpel's precision.
Thompson expands the mythology of the Absolute with a high-gravity adventure.