Grønbekk matches the style and tone of Burton’s original script.
All in Drama
Poison Ivy #40 // Review
Wilson manages some very sophisticated characterization
J.S.A. #15 // Review
Guerrero’s colors add warmth, depth and visual texture.
Blue Falcon and Dynomutt #5 // Review
Palmiotti plays with a strange intersection.
Batgirl #15 // Review
Brombal is working a lot with narratives that exist beyond the presence of the present.
All-New Spider-Gwen: Ghost Spider #6 // Review
Phillips weves a script with wit that atches the action.
Star Wars Hyperspace Stories: The Bad Batch #1 // Review
Hannigan frames the action with considerable attention to detail.
Ultimate Endgame #1 // Review
Camp has a tremendous amount of work to do.
The Tin Can Society #9 // Review
Warrren and co-creator Rick Remender have done an admirable job.
Radiant Black #39 // Review
Higgins, Clark and company continue to find something new in old superhero tropes once more.
Lucky Devils #6 // Review
Soule’s dual-layered story continues to do interesting things.
Lost Fantasy #6 // Review
Pires layers-in the action through a fusion of science fiction and fantasy.
Feral #19 / Review
The horror keeps getting more and more heavy.
Escape #5 // Review
The interpersonal drama provides a solid foundation for the hero’s mission.
Final Boss #2 // Review
Physics don’t work like that. Neither does human anatomy,
Hornsby & Halo #13 // Review
Tomasi elegantly slams everything together on the edge of the current storyline.
Disney Villains: Maleficent #3 // Review
Ganucheau finds an incredible amount of novelty in a story that would otherwise be very, very traditional.
The Rocketfellers #11 // Review
The balance in the script and the pacing is almost perfect,
Sisterhood: A Hyde Street Story #5 // Review
Zchut he's working with a great deal of metaphor.
Sleep #7 // Review
Cannon’s scripting leaves a lot of delicious ambiguity around the edges.