There’s real insight in what Brombal is writing.
All in Drama
Good As Dead #5 // Review
The Laphams weave a very tight suspense thriller.
The Darkness #2 // Review
Silvestri is laying in a tremendous amount story around the edges of everything.
Nights #17 // Review
Kennedy constructs an intriguing mood.
G.I. Joe #17. // Review
Williamson adds a complexity beyond the surface level of a franchise that’s been around for decades.
Blood & Thunder #9 // Review
The gun that's decided to become a pacifist is remarkably clever stuff.
Vampirella: Armageddon #7 // Review
Sniegoski works his way through a narrative that fits together from a few different directions.
Space Ghost #7 // Review
Pepose deliver is a space fantasy story that's deeply rooted in a respect for weird science.
Peter Cannon: Thunerbolt #3 // Review
Fred Van Lente mixes quite a few different elements into a big, climactic chapter
Geiger #20 // Review
Johns’ script is a strange and perplexing collage.
Free Plant #8 // Review
Sitterson is working with concepts that have a very high face value.
Die!Namite: Blood Red #4 // Review
Van Lente’s script works on a few different levels.
Wolverine #14 // Review
Ahmed has a really sharp approach.
Vampirella #9 // Review
Priest has fun with some casual conversation between vampires.
The Twilight Zone #3 // Review
Stokoe has the tone and form of a Twilight Zone story perfect down to the last syllable.
ThunderCats: Lost #10 // Review
Brisson throws more than a few curves into the final chapter.
Tim Burton’s the Nightmare Before Christmas: the Shiver of Christmas Town #1 // Review
Grønbekk matches the style and tone of Burton’s original script.
Poison Ivy #40 // Review
Wilson manages some very sophisticated characterization
J.S.A. #15 // Review
Guerrero’s colors add warmth, depth and visual texture.
Blue Falcon and Dynomutt #5 // Review
Palmiotti plays with a strange intersection.