Pires has a lot of backstory to cover.
All in Drama
Pires has a lot of backstory to cover.
There is some degree of poetry in Snyder‘s script.
Wijngaard slams some very, very powerful moments into the page with some pretty overwhelming power.
Jordan’s concept continues to hold a great deal of potential.
It's both silly and absurd, while also being very appealing as an action horror concept.
It’s quite engaging.
There is a considerable amount of poetry in the fantasy that Barbiere is binding to the page.
Remender he is working with an old war thriller cliché.
Smith does a strikingly good job of framing a fantasy story.
Tynion and Bellaire keep the plot, moving in a couple of really tightly written scenes.
Silvestri puts together a few scenes that are solidly entertaining.
Young’s script for the issue in question actually feels remarkably reserved.
A premise like this should have overstayed its welcome after … the first couple of pages.
It’s the type of thing that can be quite effective if used sparingly in the course of a long-running series.
Sniegoski constructs a story that features some very clever and interesting supernatural, and theological aspects.
Wilson’s writing style glitters brilliant in a lightly comic adventure.
Campbell's script draws on a lot of different elements and themes that have been explored in supergirl comics for decades.
Howard fits together with the different dynamics of each character in a way that makes them all very distinct.
Birks has done an admirable job.
Johns delivers a very believable alternative history.