Kudranskiβs work feels as appealing in the conceptual as it does in the visual.
All in Drama
Kudranskiβs work feels as appealing in the conceptual as it does in the visual.
Wilson grants Black Cat a strange sort of momentum.
Campbell juggles a lot in another satisfying issue.
Bennett brilliantly frames a very powerful conflict.
It tells a very concise story cleverly-drawn from a bit of dialogue in that movie.
Juni Ba tells a story thatβs both fantastic and mundane in equal measure.
A lightly heroic fantasy held together with the gravity of human emotion.
Boss expands some of the background on Exquisite Corpses.
Gillenβs script is engaging in the grammar of fantasy on multiple different levels.
Another issue graced by some characteristically witty Wilson dialogue.
Though the twist at the ending couldnβt have possibly ben more obvious, Brombahl does a pretty good job of telling a story.
It almost seem to be sort of telling some sort of a coherent story in a way.
A really exciting development for a series that was already quite a bit of fun to begin with.
Higgins and Busuttil dive into some of the rather less than glamorous elements of life as a Hollywood screenwriter.
Jordan continues to explore a world that is much more dangerous than our own.
A respectably enjoyable introduction to a monster horror story.
The flip book formatting for issue #24 is actually very, very cool.
Remender delivers the tragedies and complexities of war.
Wagner has carefully constructed the plot.
De Felici does a fantastic job of making everything seem oppressive and inescapable.