One of the more original personalities to be re-imagined for the comics page in recent years.
All in Dynamite Comics
One of the more original personalities to be re-imagined for the comics page in recent years.
Palmiotti outlines are very clever, little encounter.
Williamson frames familiar action in a fresh way.
Brisson renders a couple of clever bits of dramatic framing this month.
Brisson manages a very tight and surprisingly complicated picture.
Fred Van Lente has a sharp grasp of some rather clever dialogue.
Stultz frames the action quite well.
It’s provocative stuff.
Brisson isn’t going for anything too terribly complicated here.
It’s a kind of selflessness that rarely gets framed as cleverly as Pepose is managing here.
Brisson does a remarkable job of moving the action along.
Papose’s script concludes with a sense of urgency.
Conner and Palmiotti amp-up the intensity of a silliness.
Margaret’s emotional state is cleverly rendered for the page by Miracolo.
Overall, action is well-orchestrated on the page.
It may have been done before in the past, but it’s never been done like this.
More fun than it has any right to be.
Priest plays with a great deal of complexity.
Weisman moves the narrative along very quickly.
Shalvey renders a remarkably sharp distillation of the film franchise.