There IS a surprising amount of dramatic complexity rendered into the faces of the lead characters.
All in Fantasy
There IS a surprising amount of dramatic complexity rendered into the faces of the lead characters.
One of the more memorable iterations of Thor in the long, hallowed history of Marvel Comics.
A reasonably enjoyable story of Strange in the far future, as seen in shades of cyberpunk in a weird, little one-shot.
A massive issue which features a major turning point for the hero and a host of supporting stories.
The darker earthbound elements of Batgirl’s life take a backseat to fantasy-driven psychodrama in a satisfying issue.
As Gran’s life hangs in the balance, Duncan confronts Arthur.
Denny looks compellingly pummeled and disheveled as events rush around him.
Young provides just enough room in all the drama for Corona to give the world of Middlewest its unique visual fantasy.
He-Man and the Masters of the Multiverse #3 fails to reach the pulpy heights of the first two issues.
The series gains momentum in a satisfying second issue.
The UGC Rebels strike against Mother.
Poetic dialogue and beautiful visuals keep the series suitably dreamlike as it glides through its fourth outing.
The debut of the new series conjures-up a clever concept in an urban fantasy setting that feels fresh and distinct.
He-Man and the Masters of the Multiverse #2 is ridiculous.
Young does a good job with the balance and pacing of this issue.
Duncan learns some hard truths.
Writer/artist/letterer John Upchurch takes a spin with the old cliche in a world of humans and werewolves.
A young hero leads a group of mid-list superheroes on a mission to save Death.
The interpersonal drama comes to the fore in an engaging story revealing a bit more about Becky’s personality.