It’s a very well-balanced script from beginning to end.
All in Female Lead
It’s a very well-balanced script from beginning to end.
Steve Orlando rushes through the tale of political turmoil on a distant planet.
The drama that asserts itself through page and panel makes an impact.
Cecil Castellucci flings Batgirl into an engrossing adventure.
Another entertaining excursion into a world that echoes a bit more of an homage to earlier work in the genre.
It’s a smartly-constructed issue that Orlando and Raynor have put together.
Things have gone from bad to worse for former reporter-turned Reality Stone host Ripley Ryan, aka Star. She’s tried to kill Captain Marvel and Jessica Jones before finally, the Scarlet Witch stepped in to intervene. But with reality-warping powers, nothing is ever quite what it seems…
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Leah Williams shows a considerable talent for constructing a solidly entertaining story.
What could have been a messy collision with a huge supporting cast is actually fairly well-balanced.
Guara fits the distinctive momentum of McGuire’s scripts quite well.
Keng is given a great deal of room to bring across both drama and physical action.
Pacheco’s writing has a brilliant economy to it.
Things don’t look too good for Captain Marvel. Vox Supreme has her hooked up to a machine designed to harness her powers and the powers of the “Avengers” she’s brought him. But even when you think she’s down, Captain Marvel isn’t out.
Ms. Marvel #13 kicks off a brand new story arc, and it starts strong as writer Saladin Ahmed introduces a new character (co-created with Sara Alfageeh). So Kamala's circle of superhero friends expands.
Catwoman takes to horror so well it might as well be her natural habitat.
Continues to sparkle with flashes of cleverness around the edges in its second issue.
This month’s SFSX feels a lot like a post-mortem on the first six issues of the series.
Hine and Haberlin still have yet to bring the series’ full potential.
A respectable stylishness that fails to add any charm to the story.