Tamaki frames the climactic battle in a throne room on the other side of the planet.
All in Female Lead
Tamaki frames the climactic battle in a throne room on the other side of the planet.
The best part of the issue has to be Pacheco’s wit, which keeps the action slick and enjoyable from cover to cover.
Ram V has constructed a thoroughly enjoyable script.
Writer and artist manage a very emotionally engaging one-shot.
In the grim and horrifying world of 2020, sometimes you just need some fluff and fun.
Tamaki and company orchestrate some surprisingly thoughtful allegory in a very satisfying issue.
The Magnificent Ms. Marvel #16 continues to explore how Kamala's Law has affected Ms. Marvel and friends' abilities to carry out their superhero duties.
A provocative 21st-century update on the Joker concept.
Kelly Thompson continues a tale of a misplaced amnesiac Marvel super-spy.
Bomb Queen has plenty of plenty of time to be gruesomely violent, abhorrently duplicitous, and beautifully clever.
An enjoyable 16-pager that weighs aggressive action against more nuanced interpersonal matters between two superheroes.
The simple application of history to the legend of Themyscira makes for a fun, little excursion into Diana’s childhood.
Dan Panosian’s story develops further intrigues.
Macchio puts together a briskly-moving single-serving story.
A surprisingly well-balanced final chapter written by Cecil Castellucci.
Tamaki’s pacing and plot structure are particularly good this time around.
Pérez slices the action across the page in long, narrow panels.
Artist Keng follows Liefen’s modulations with visuals that capture a variety of different moods.
The pacing of the story gets a bit lost in the poetry early on.
Ram V places various elements into the frame with an architect’s eye for detail.