The heavy sketches of Porter’s work are well-suited to a nightmare realm.
All in Horror
Knight Terrors: Ravager #1 // Review
Ravager feels like one of the more sophisticated treatments of the nightmare realm.
Knight Terrors: Poison Ivy #1. // Review
Ilhan and Morales openly embrace the garish nightmare.
King Kong: The Great War #2 // Review
Cox puts Kong firmly in the background.
Draculina: Blood Simple #4 // Review
A sharply clever job of articulating bewildering complexity.
Ghost Rider #15 // Review
Percy has the basic elements of horror action done remarkably well
Daredevil & Echo #2 // Review
The writing team focuses on the street-level aspects of the supernatural.
Phantom Road #4 // Review
Lemire tackles the drama with a solid sense of mystery.
Monstress #45 // Review
Liu’s work is deep and resonant.
I Hate This Place #10 // Review
Starks gives Gabby and Trudy a suitably enjoyable end.
Swan Songs #1 // Review
Prince has a poetic sense of darkness.
Hellboy and the B.P.R.D.: 1957--Fearful Symmetry #1 // Review
Mignola and Roberson handle the story in a straight-ahead fashion.
W0rldtr33 #3 // Review
Tynion has a way of twisting cliche until it confesses some kind of strange truth.
The Scorched #19 // Review
Segovia shows some talent for pushing around the demonic muscle.
Indigo Children #4 // Review
Pires and White have a clear and definite idea of where they’re going with the story,
Hell to Pay #6 // Review
Soule walks a fine line.
Vampirella Versus the Superpowers #2 // Review
There’s just enough tone and mood to the visuals to keep the pages turning.
Elvira in Monsterland #2 // Review
Avallone playfully pushes Elvira through a couple of scenes.
Monomyth #2 // Review
Monomyth is solidly entertaining.
Hellcat #4 // Review
Cantwell has a gift for dynamic, punchy dialogue.