Ultimately it comes together, but it’s a bit of a disappointment.
All in Horror
Ultimately it comes together, but it’s a bit of a disappointment.
Motion lines. They’re abusing motion lines.
Bertram’s work is brutally surreal.
Wilson ends her second year with Pam in an emotionally crushing issue.
The horror is dense. The atmosphere is immersive.
Mhan’s artwork is highly kinetic.
Williams gives Zatanna a very approachable and relatable twist.
A deliciously wicked hero hunting an ancient hero who turns out to be a monster.
McConville’s script is okay.
Tynion doesn’t draw a whole lot of insight into the characters.
Avallone throws a bit of a fight party for all of the big monsters from classic cinema history.
Thompson does a really good job of illustrating the thoughts and feelings of a group of people.
Wilson, Takara, and Prianto continue to develop something truly distinct and distinctive.
Crook glides the horror drama through a well-paced story.
The story gets really interesting.
Johnson keeps the action moving as the story begins to reach its climax.
Williamson ushers a couple of powerful Kryptonians through their greatest fears.
Lore's writing ramps up once Punchline takes total stock of the fact that she's in a dream.
A tight, little nightmare
Skull Island. Seriously, call it Skull Island: The Great War.