A clever concept for a series in a script that seems impeccably well-constructed from the opening issue.
All in Horror
A clever concept for a series in a script that seems impeccably well-constructed from the opening issue.
Rushed as it is, it’s not nearly coherent enough to make the kind of impression it might have done as a longer series.
Harms continues to chart som pretty bleak territory.
Another provocative issue.
Some particularly dark moments in a particularly dark series.
Bidikar it is exploring some really interesting themes here.
The impressive 25th issue really lives-up to the build-up.
Ball is clearly moving the narrative forward.
It’s just fun.
Chaves finds a sinister way of giving Foy and her father a victory
There’s a sketchiness to Cadonici’s art that feels suitably dreamlike.
It’s all filtering through the darkness around the edges of each panel.
Silvestri is running our story that works on three different levels.
The Windoms don't wait for us solid second chapter in the series.
Kudranski’s work feels as appealing in the conceptual as it does in the visual.
Juni Ba tells a story that’s both fantastic and mundane in equal measure.
Boss expands some of the background on Exquisite Corpses.
It's just a really well done one shot.
Another issue graced by some characteristically witty Wilson dialogue.
Though the twist at the ending couldn’t have possibly ben more obvious, Brombahl does a pretty good job of telling a story.