Haberlin and Wall seem to be in a bit of a hurry to wrap up the series.
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Haberlin and Wall seem to be in a bit of a hurry to wrap up the series.
Craig keeps the action moving without bogging the page and panel down in too much drama.
Young takes a while to get the story moving.
Sorrentino has a gift for bringing breathtakingly real visages,
Burnett has a beautiful grasp of kinetic motion in action.
Kudrański is taking his time with the story.
Another well-rendered, well-modulated issue.
Barnes manages a very heartfelt iteration of the premise.
Wagner and Dabbs conjure a brilliantly expressive first issue.
Cady weaves the opening to the series with a tight, little ensemble of characters.
Writer Todd McFarlane does his...McFarlane thing…
Madureira picks up the series more or less where he left it 22 years ago.
Some of the heaviest stuff on the comics rack today.
A great deal of time world-building with this issue.
Layman’s weird cast of characters is fun by virtue of the sheer randomness of their backgrounds.
Really SHOULD be a more appealing issue.
Taking away the names, the fame, and the legend allows Chaykin to focus his history on the people who built an industry.
Soule gives each moment a great deal of room.
The basic symbolism in Tomasi’s story is solid enough to carry the plot.
Occasionally manage a kind of beauty.