There’s scarcely a subplot in sight.
There’s scarcely a subplot in sight.
Layman rides a pretty fine line between lighthearted situation comedy and something altogether darker.
It’s not a mindless action story.
Cady takes his time slowly advancing into the site.
Clark and Higgins allow the story to slowly fade in around the edges.
It’s really just one conversation.
Things seem to shift quite a bit in the first half of the first issue.
He’s a monster, but Lemire cleverly engenders sympathy for him.
The heavy sketches of Porter’s work are well-suited to a nightmare realm.
Ravager feels like one of the more sophisticated treatments of the nightmare realm.
Ilhan and Morales openly embrace the garish nightmare.
Haun’s story might lack a little in vision.
Williamson is exploring aspects of Batman's past
It’s a fun story that almost lives up to the premise.
Weisman keeps the action moving.
Lee works out a compelling little challenge for Diablo the black raven.
Cox puts Kong firmly in the background.
A sharply clever job of articulating bewildering complexity.
Grønbekk cleverly works with a large cast.
Marz is taking traditional notions of cosmic-level action and jostling them.