Lanzing and Kelly play with iconic bits of Marvel history.
Lanzing and Kelly play with iconic bits of Marvel history.
Bennett’s idea would have worked better as a series.
Johns has begun to move the plot deeper into its own mythology.
Tynion has been moving through a hell of a lot of different theoretical ground.
Waid is working with dynamics and elements that have been with the Justice League since Gardner Fox.
The gentle complexities of the story are all quite clever.
So much of The Power Fantasy could be done as a stage play.
Fleecs continues to find interesting ways to put the cats in peri.
Peralta has a knack for finding the subtle around the edges of the overwhelming.
Kelly Thompson continues a captivating re-imagining of Wonder Woman with artist Hayden Sherman.
March constructs the mystery with the hand of an architect..
Waid manages to make it feel as original as it does.
It’s trying to work on too many levels at once.
Fleecs rather quickly launches Ben into a very street bound adventure.
Guggenheim’s script feels like a bit of a mess at first. It’s like he’s just throwing a whole bunch oof different Marvel tropes.
Cannon takes his time setting-up what appears to be a very deep and winding mystery.
This visual reality of the story works quite well.
Peralta does an excellent job of bringing Strasczynski’s work to the page.
Delpeche does a really good job with overall action