Tamaki and company orchestrate some surprisingly thoughtful allegory in a very satisfying issue.
All in Action
Tamaki and company orchestrate some surprisingly thoughtful allegory in a very satisfying issue.
It lacks a bit of a sense of wonder.
MacKay's characteristic humor serves this series well.
A provocative 21st-century update on the Joker concept.
Kubert’s playful sense of amplification makes Inkblot unmistakably feline.
Kelly Thompson continues a tale of a misplaced amnesiac Marvel super-spy.
Narrative coherence bleeds around the edges of the dark poetry in a satisfying eighth issue.
Bomb Queen has plenty of plenty of time to be gruesomely violent, abhorrently duplicitous, and beautifully clever.
An enjoyable 16-pager that weighs aggressive action against more nuanced interpersonal matters between two superheroes.
There may not be a whole lot of depth in the story.
Macchio puts together a briskly-moving single-serving story.
A surprisingly well-balanced final chapter written by Cecil Castellucci.
Tamaki’s pacing and plot structure are particularly good this time around.
Did anyone have “Eastman and Laird team up on a comic once more” on their 2020 bingo sheet?
Pérez slices the action across the page in long, narrow panels.
Artist Keng follows Liefen’s modulations with visuals that capture a variety of different moods.
The pacing of the story gets a bit lost in the poetry early on.
Ram V places various elements into the frame with an architect’s eye for detail.
Real love for the source material bleeds through the script.
A fun action encounter on the beach.