Onyebuchi is carving a very balanced path through the mind of Sam Wilson.
All in Drama
Onyebuchi is carving a very balanced path through the mind of Sam Wilson.
Not enough is actually happening on the page.
Guggenheim wraps the first story arc up with a bit of a surprise ending.
Liu’s work is deep and resonant.
King dives into a particularly dark end of romance.
A nice closer for a fun drama.
Starks gives Gabby and Trudy a suitably enjoyable end.
Palpable and famous moments from the 1970s and 1980s are put on the page with a crisp, brisk, and witty sense of drama.
Homicide detective cliches and stereotypes that have been echoing through crime fiction for nearly a century now.
A narrative voice that’s thick enough to be bulletproof.
It’s beautiful stuff straight through.
The story arc wraps up with nuanced drama that resonates through darkness and horror.
Subic conjures up the nightmare of madness onto the page.
The danger that Williamson is applying to the page feels real and present.
Ram V is telling a story that rests on multiple different levels.
King constructs a well-conceived script.
Wong has the kernel of a good story.
The comedy inherent in the Weekend at Vader’s situation is lightly hinted at.
Jung looks at a city from many different angles.
Burnett and Dini still manage to find new inspiration for fresh stories after all these years.