Morozova has a very firm approach to the action.
All in Drama
Morozova has a very firm approach to the action.
Thompson has a unique and sparklingly witty energy.
Vecchioβs art engages in some interesting dramatic renderings.
Thereβs a delicate balance.
Ayala is using some very clever narrative techniques.
Williamson is able to show a true darkness in the villains.
McFarlane is telling a pretty simple supernatural drama.
Slow and soulful thoughts β¦ mix in with over the top combat brutality.
Schultz is doing a really good job of rendering her own little corner of everything.
Loveridge has a lot going on.
The finer points of what is going on here are kind of lost.
Cafaro delivers a very moody sort of action to the page.
Adams firmly establishes everything thatβs going on in Arthurβs life.
Schultz does a very sharp job of putting it all together.
Fiffe is exploring the darker end of human emotion.
Sorressa and Atlansky manage a remarkably tight rendering of the script.
Orellana narrows the focus of the second issue to just and only the relationship between Sara and Max.
Ashley Allen cleverly constructs a very sharp progression.
Foxe seems to have a solid handle on how it is that these things work.
Sarraseca has a good eye for layout.