Tomasi elegantly slams everything together on the edge of the current storyline.
All in Drama
Tomasi elegantly slams everything together on the edge of the current storyline.
Ganucheau finds an incredible amount of novelty in a story that would otherwise be very, very traditional.
The balance in the script and the pacing is almost perfect,
Zchut he's working with a great deal of metaphor.
Cannon’s scripting leaves a lot of delicious ambiguity around the edges.
Shalvey continues to add to the lore of this series.
Llovett ratchets-up the tension.
Craig manages to carve a lot of intricacy into a simple fantasy story of a pre-modern army preparing for war.
Remender does a clever job of illustrating the problems with violent revolution.
Fantasy heroes don't often have to deal with that sort of thing: a head cold.
Gillen has a somewhat breathtaking talent for lovingly cramming a tremendous amount of story into tiny, little encounters.
Tynion’s story jumps across the first quarter of the 21st century.
Sniegoski weaves the story quite well.
Shalvey and McConville set up a very simple premise that is very easy to follow.
Campbell’s writing paints big emotions in broad strokes.
Young isn't just spoofing Mary Shelley's classic novel. There's a lot more going on here than that.
The Glowing Woman is a much more powerful statement about survival than anything that Johns came-up with for the title character.
Given the right narrative momentum The Darkness could really turn into something interesting.
Camp’s absurdist/surrealist horror story is insanely clever.
Phillips manages a very tight ensemble of characters.