Marguerite Bennett delivers one of the single best scripts she rendered for the series thus far.
All in Fantasy
Marguerite Bennett delivers one of the single best scripts she rendered for the series thus far.
Remender managers a very dark portion of his narrative with a relatively deft hand.
Pires has a lot of backstory to cover.
Strikingly well-rendered both conceptually and visually.
It’s quite engaging.
Smith does a strikingly good job of framing a fantasy story.
The plot is appealingly irreverent.
There isn’t a whole lot going on here, but that doesn’t mean that it isn’t fun.
It’s the type of thing that can be quite effective if used sparingly in the course of a long-running series.
Fred Van Lente deftly juggles all of the different characters.
Bean’s basic premise for the series is actually very clever.
A quick fantasy/drama encounter between magic user and magic creature.
Aaron takes a dark fantasy concept and supercharges it.
Brisson does an admirable job in fusing the two different properties.
It's a nice pacing and overall composition for a single issue.
It’s a powerful chapter in the saga that moves conflicts forward with some pretty dynamic narrative momentum.
Johns takes traditional, superhero tropes and presents them in a completely new light.
Brisson throws more than a few curves into the final chapter.
Grønbekk matches the style and tone of Burton’s original script.
Pires layers-in the action through a fusion of science fiction and fantasy.