Chu closes-up everything at the end in a way that feels cold and final.
All in Female Lead
Chu closes-up everything at the end in a way that feels cold and final.
It’s provocative stuff.
Phillips is a solidly respectable writer. She's been doing a really good job.
Thompson has been a staggeringly clever architect for Diana of the Wild Isle.
Gronbekk has a solid sense of execution.
There’s a great degree of thematic strength in what King is building.
Bennett’s best work in the issue involves the conversation between Lisa and Sara.
Scott throws a hell of a lot at the page.
If Popeye had been allowed to be a little bit more himself, it might be a little bit more interesting.
Llovet tells a very traditional style romantic triangle story.
feels a lot like traditional legend.
There’s a hell of a lot of world building in this issue.
Guest artist Kampe is given the opportunity to render the nightmare world of Kara.
Rosenberg delivers a color palette that is somber and moody.
Belviso is brilliant.
Conner and Palmiotti amp-up the intensity of a silliness.
Margaret’s emotional state is cleverly rendered for the page by Miracolo.
Sampere’s clean-line approach to the visuals continues to find its own sense of charm.
The tremendous resilience of Maka is powerfully present in slight shades of phrase in her inner monologue.
Kalan launches Harley into a whole new adventure.