Phillips smartly fuses pulp fantasy adventure with traditional contemporary superhero drama.
All in Female Lead
Phillips smartly fuses pulp fantasy adventure with traditional contemporary superhero drama.
Brisson manages a very tight and surprisingly complicated picture.
Wilsonβs script fits perfectly with Melnikovβs art.
Cousens frames Cheetara as a deftly powerful energy.
Chu closes-up everything at the end in a way that feels cold and final.
Itβs provocative stuff.
Phillips is a solidly respectable writer. She's been doing a really good job.
Thompson has been a staggeringly clever architect for Diana of the Wild Isle.
Gronbekk has a solid sense of execution.
Thereβs a great degree of thematic strength in what King is building.
Bennettβs best work in the issue involves the conversation between Lisa and Sara.
Scott throws a hell of a lot at the page.
If Popeye had been allowed to be a little bit more himself, it might be a little bit more interesting.
Llovet tells a very traditional style romantic triangle story.
feels a lot like traditional legend.
Thereβs a hell of a lot of world building in this issue.
Guest artist Kampe is given the opportunity to render the nightmare world of Kara.
Rosenberg delivers a color palette that is somber and moody.
Belviso is brilliant.
Conner and Palmiotti amp-up the intensity of a silliness.