Once again, Fleecs manages a harrowingly tight balance.
All in Horror
Once again, Fleecs manages a harrowingly tight balance.
Once again Vikings, Native Americans and werewolves mix in a distinctly unique action horror story.
Harms does a little more world building around the edges of the central drama.
What makes The Exorcism so fun IS that balance between delightfully stuffy and formal political drama and darker supernatural horror.
A satisfying conclusion to a series thatβs been unique and distinctive.
Remarkably sophisticated stuff that still manages to be quite exhilarating.
Bidikar is cleverly sharp in exploring the narrative.
Tynion moves things further down the path of the unexpected.
The high fashion millieu of the series serves as a perfect glossy backdrop for deep, psychological horror.
Mulholland edges the dark fantasy into the page with a stylish flare.
Bennett has balanced the script quite well between philosophical drama and action.
Wagner and company manage a crisply appealing second chapter to a promising new series.
It's just really cool that these two particular writers happen to be working on something like this.
It's a pleasantly disorienting experience.
Gillen is working with an incredibly dense ensemble of characters.
Wilson continues a darkly comic and deeply nuanced supernatural drama.
It's nice to see the return to an old indie character.
The historical drama forms a firm of foundation for the horror and the action of that which Sharp is rendering for the page.
The story comes across as a very well-executed horror.
Young has little difficulty, pulling the narrative in a lot of weird directions.