Things speed up in the penultimate issue of a series.
All in Horror
Things speed up in the penultimate issue of a series.
s not a deliciously, appealing sort of horror.
Brombal finds a distinctive way of working through the crossover event without compromising a sharp focus on Batgirl in another satisfying issue
An emotionally heavy opening.
A particularly surreal superhero group gets some fresh air thanks to a very sharp creative team.
It may feel like itβs leaning-in too heavily to a Shakespearian tragedy, but itβs still a lot of fun.
Wilson and Fraction work quite well together.
Remender really pushes this squalid in this one.
Bennett sets-up a very clever, little crossover and executes it beautifully.
Kudranski concocts a fun hardboiled detective/pop culture horror mash-up
The darkness continues to creep in from every possible corner.
Soule it is working with a really fun premise.
Silvestri it's working a lot around a lot of edges.
The action is brought to the page with a dynamic sense of aggression.
Ehrich and Condon a ratchet up the tension just a little bit more.
It all works as well visually as it does conceptually.
The story seems to be settling into the art as the art is settling into the story.
Sharpβs narrative is as weird and dreamy as ever.
A clever concept for a series in a script that seems impeccably well-constructed from the opening issue.