Wells finds some clever bits of comedy in the funny animal analog of the Marvel Universe.
Wells finds some clever bits of comedy in the funny animal analog of the Marvel Universe.
A series that is starting to show signs of substantial originality.
Killadelphia pushes the boundaries of the noir genre and urban vampire tales deeper.
Despite starting as an “event,” the 2099 storyline ends as a small origin story.
The Spider-Man of the future returns in a new origin story.
The Lethal Protector returns for the new age of heroes.
Batman: Last Knight on Earth ends on a confusing note.
Basketful of Heads #3 is another solid entry in what is turning out to be the best of DC’s Hill House horror comics line.
Harleen #3 is a fascinating finale to an excellent character study.
Batman/Superman #5 feels like an editorially-mandated part of the endless crossover machine.
Superman Smashes the Klan #2 is a beautifully rendered, complex comic that takes a simple idea--racism is bad--and explores it from many different angles, with care and nuance.
Legion of Super-Heroes #2 is ephemeral, like cotton candy.
Year of the Villain: Hell Arisen #1 is completely superfluous.
With issue #6, Superman’s Pal Jimmy Olsen hits its midway point, and continues its streak as the funniest title DC is publishing right now.
Wonder Woman: Dead Earth #1 understands Diana’s mission of love.
He-Man and the Masters of the Multiverse #2 is ridiculous.
The close of a legendary character piece that will never be forgotten.
There’s not a whole lot going on here, but Jones manages to filter-in a couple of intriguing, little mysteries that add to the action.
Once more, DOOM has one of the best books of 2099.
Young does a good job with the balance and pacing of this issue.