Largely fails to embrace the possibilities of spy-based drama on the comics page.
Largely fails to embrace the possibilities of spy-based drama on the comics page.
After a months-long hiatus, Kamala is back in The Magnificent Ms. Marvel #14, an intense, emotional story that takes place in the aftermath of Outlawed #1.
Captain Marvel #21 is an action-packed story from writer Kelly Thompson, penciler Cory Smith, inker Adriano Di Benedetto, colorist Tamra Bonvillain, and letterer VC's Clayton Cowles. Wrapping up the Empyre tie-in arc while also revealing the fate of Carol's newfound sister Lauri-ell.
Poetic notes populate an issue that is somewhat sparse on the visuals.
Tamaki and company dive more in-depth into themes of truth and fabrication in a fast-moving action story.
The horror flooding through Colleen is heartbreaking.
The New Mutants pay a visit to a racist website.
A new foe rears their head.
X-Factor makes some unexpected discoveries in the Mojoverse.
In the year 2367, the human race has taken to scouring the βBig Dark,β aka space, for resources. The most valuable resource in space? Dead gods.
With the 100-Page Giants on their way out, DC has a new plan to bring comics back to the newsstands.
Wonderful reunions, vampires, and revelations are in store.
Wolverine battles the vampiric hordes.
The cat is hypnotically cute.
Thompson deftly manages a very narrow characterization for Black Widow.
It may be lacking the spark that could make it brilliant, but the series continues to entertain.
Watters soaks the page with metaphor.
Cate and Kate are just...really, really fun.
Aero begins to feel a bit more like a part of a larger tapestry.
Nearly everything that Tamaki is putting on the page is powerful and resonant