Bomb Queen has plenty of plenty of time to be gruesomely violent, abhorrently duplicitous, and beautifully clever.
Bomb Queen has plenty of plenty of time to be gruesomely violent, abhorrently duplicitous, and beautifully clever.
An enjoyable 16-pager that weighs aggressive action against more nuanced interpersonal matters between two superheroes.
The simple application of history to the legend of Themyscira makes for a fun, little excursion into Diana’s childhood.
A story that is weighted so heavily in dialogue really has no business working this well in a comic book format.
There may not be a whole lot of depth in the story.
Dan Panosian’s story develops further intrigues.
Macchio puts together a briskly-moving single-serving story.
A surprisingly well-balanced final chapter written by Cecil Castellucci.
Tamaki’s pacing and plot structure are particularly good this time around.
Old friends return and surprises abound.
The Champions of Arrako and Krakoa gather in the Starlight Citadel.
Did anyone have “Eastman and Laird team up on a comic once more” on their 2020 bingo sheet?
Hickman retcons Apocalypse.
The Juggernaut clashes with the Hulk.
Pérez slices the action across the page in long, narrow panels.
Artist Keng follows Liefen’s modulations with visuals that capture a variety of different moods.
The pacing of the story gets a bit lost in the poetry early on.
Ram V places various elements into the frame with an architect’s eye for detail.
Real love for the source material bleeds through the script.
A fun action encounter on the beach.