Starks gives Gabby and Trudy a suitably enjoyable end.
Starks gives Gabby and Trudy a suitably enjoyable end.
Palpable and famous moments from the 1970s and 1980s are put on the page with a crisp, brisk, and witty sense of drama.
Homicide detective cliches and stereotypes that have been echoing through crime fiction for nearly a century now.
A final dramatic push into the climax.
In theory, it should be a lot of fun.
A narrative voice that’s thick enough to be bulletproof.
Prince has a poetic sense of darkness.
It’s beautiful stuff straight through.
Deibert actually manages to articulate every character.
Older closes out the adventure predictably.
Older seems to be dragging things out.
The story arc wraps up with nuanced drama that resonates through darkness and horror.
Subic conjures up the nightmare of madness onto the page.
As the issue opens, it DOES feel like anything could happen.
The danger that Williamson is applying to the page feels real and present.
A really clever way of taking traditional myth and the legend and modifying it.
Ram V is telling a story that rests on multiple different levels.
The art doesn't quite deliver the psychological impact of the drama.
King constructs a well-conceived script.
Wong has the kernel of a good story.