Lonergan's visual style steers clear of heavy detail AND clean lines.
Lonergan's visual style steers clear of heavy detail AND clean lines.
The story of one girl’s life plays across the page with clever execution.
Crook glides the horror drama through a well-paced story.
The story gets really interesting.
The concept of the Joker with a day job is fun.
Niemand keeps the pacing very tight and precise in his Dredd story.
The script is fun.
Sutter rushes through a great many encounters in a single issue.
Johnson keeps the action moving as the story begins to reach its climax.
Ram V is riffing on themes floating through superhero fiction for decades.
Williamson ushers a couple of powerful Kryptonians through their greatest fears.
Lore's writing ramps up once Punchline takes total stock of the fact that she's in a dream.
Howard richly casts the narrative in the voice of Raven.
There are places where Leiz's artwork is gorgeous.
Thompson is great fun with any script.
A tight, little nightmare
Moore captures the spirit of a Silver Age-style first meeting between Batman and Superman.
Campbell makes Diana’s inner journey strikingly clear.
Nahuelpan delivers that joy to the page in a clean, clear series of panels.
Skull Island. Seriously, call it Skull Island: The Great War.