The historical drama forms a firm of foundation for the horror and the action of that which Sharp is rendering for the page.
All tagged B
The historical drama forms a firm of foundation for the horror and the action of that which Sharp is rendering for the page.
Tynion begins to bring a lot of elements together in the penultimate chapter of the series.
A 1990s zine-like in the comic book with a hand-made feel.
Things get pretty brutal towards the end of the series.
It's actually a very well balanced script.
The momentum of the action IS given a great amount of life.
The meeting between Optimus and Duke is handled with the kind of intensity that it really needs.
Ewing does an impressive job of juggling everything.
Mora and Spicer have a hell of a lot of work to do with Kirkman’s script.
A firm rooting in a very deep emotional reality that feels quite refreshing.
Cannon concludes his horror mystery.
The visual aspects of the story bind it to the comic book page quite well.
Remender managers a very dark portion of his narrative with a relatively deft hand.
Horvath draws the current series to its inevitable end where quite a bit of intensity.
Pires has a lot of backstory to cover.
Kirkman has a solid handle on the scripting.
There is some degree of poetry in Snyder‘s script.
Remender he is working with an old war thriller cliché.
Smith does a strikingly good job of framing a fantasy story.
The plot is appealingly irreverent.