Hitch and Currie drive the drama to the page with respectably vivid emotions.
All tagged B-
Hitch and Currie drive the drama to the page with respectably vivid emotions.
Avallone juggles a lot of different elements in comedy drama, about a down-on-his-luck artist.
Flynn works some degree of magic with simple complexities in a pair of over-simplified hero-versus-villains superhero worlds.
Anatomy is kind of strange under the influence of Kirkham.
Jordan and Sobreiro are exploring the world that has its own kind of appeal.
Mulholland edges the dark fantasy into the page with a stylish flare.
King returns Wonder Woman’s comic book to...Wonder Woman.
Gillen is working with an incredibly dense ensemble of characters.
It's potentially very fascinating stuff.
Young has little difficulty, pulling the narrative in a lot of weird directions.
Silvestri’s best work in the issue involves the conversation that Jackie has with the demons
There’s a crude appeal in the overall run of a series.
Jordan’s concept continues to hold a great deal of potential.
There is a considerable amount of poetry in the fantasy that Barbiere is binding to the page.
There isn’t a whole lot going on here, but that doesn’t mean that it isn’t fun.
Sniegoski constructs a story that features some very clever and interesting supernatural, and theological aspects.
Powell’s script does a pretty good job of establishing the basic elements of the story.
Silvestri is laying in a tremendous amount story around the edges of everything.
Pires layers-in the action through a fusion of science fiction and fantasy.
Ronda has a wonderful grasp of the Carl Barks duck cartoon style.