The overall sense of immensity and impending doom seems missing in an otherwise enjoyable finale.
All in Action
The overall sense of immensity and impending doom seems missing in an otherwise enjoyable finale.
The unique personality of Natasha Romanoff defines the heart of the story.
Obropta and Simonson's "Museum Madness" is a sharp, little prequel to Wonder Woman 1984.
Tamaki strikes a powerful balance between youth and malice with a compelling, new villain.
Edginess comes across as childishness. It almost works.
Pacheco finesses a lot of things in this issue that really have no business working as well as they do.
Not since the days of Peter David writing the Hulk has the leader been presented as such a serious threat.
The Flash Family must pull itself together like never before and bring an end to Thawneβs maniacal run once and for all.
Aero has her own action in the issue, but for the most part, she might as well be tech support for Tony Stark.
Selina returns to Gotham in a promising new direction for her series.
Largely fails to embrace the possibilities of spy-based drama on the comics page.
Poetic notes populate an issue that is somewhat sparse on the visuals.
Tamaki and company dive more in-depth into themes of truth and fabrication in a fast-moving action story.
The horror flooding through Colleen is heartbreaking.
The cat is hypnotically cute.
Thompson deftly manages a very narrow characterization for Black Widow.
It may be lacking the spark that could make it brilliant, but the series continues to entertain.
Cate and Kate are just...really, really fun.
Aero begins to feel a bit more like a part of a larger tapestry.
Nearly everything that Tamaki is putting on the page is powerful and resonant