Waid clearly differentiates between the personalities and ideals of Clark and Bruce.
All in Action
Waid clearly differentiates between the personalities and ideals of Clark and Bruce.
Adams tackles a real challenge with an issue that is largely populated by kids.
Moore’s style approaches Hell in a very straightforward way.
Howard finally found a dynamic that works with Selina.
Cloonan and Conrad have given Steph, Cass, and Babs a very solid sense of character development.
It feels like they’re doing something quite new with Diana.
Lanzing and Kelly dive straight into space western mode.
Franchini keeps the action moving.
A huge range of different stories.
Brisson keeps the action moving quickly.
Lupacchino has a firm handle on the crushing drama of powerful characters.
Brusha doesn’t find a particularly novel approach to the resolution, but it’s still a fun one to explore.
Robinson’s story is not without its charm.
Wells brings a fugitive Spider-Man story into very sharp focus.
The drama comes across with striking clarity.
Rosenberg’s series has harnessed some of the stronger madness of the psychotic clown.
Very familiar characters don’t come across as being particularly interesting.
It really just looks like they took a staggeringly high-resolution scan of 44-year-old toilet paper.
It’s nice to see the return of a few old friends.
Skroce jumps right into the action.