Wijngaard does some beautiful things with color.
All in Action
Wijngaard does some beautiful things with color.
Campbell has orchestrated a remarkably good plot structure.
Allen is working with a rich tapestry of different elements.
Schultz has done a rather brilliant job.
Young knows exactly how much space he needs to tell this particular joke.
Williams manages a cleverly-balanced ensemble.
Diggle does find some clever craftsmanship in setting and dialogue.
Starrer finds real human drama in supernatural circumstances.
Phillips has a brilliantly crisp and distinctive sense of humor.
Walsh weaves the heavier horror of the story.
Buccellato is trying to do a bit too much.
Williams crafts a tight, little story.
There’s a real balance between the beautiful and the ugly.
It’s a pretty dizzying fusion.
Thompson has a really cool multi-phase script for the 23rd issue.
Landini is at his best when he’s allowed to focus-in on the family drama.
Condon brings a sharp and clever pacing to the opening issue.
Johns narrowly misses a steaming pile of cliche.
Fleecs shifts deftly along the edge of plausibility.
And it’s not nearly as cool as it sounds.