Smith does a strikingly good job of framing a fantasy story.
All in Action
Smith does a strikingly good job of framing a fantasy story.
The plot is appealingly irreverent.
Tynion and Bellaire keep the plot, moving in a couple of really tightly written scenes.
There isn’t a whole lot going on here, but that doesn’t mean that it isn’t fun.
Silvestri puts together a few scenes that are solidly entertaining.
Young’s script for the issue in question actually feels remarkably reserved.
A premise like this should have overstayed its welcome after … the first couple of pages.
It’s the type of thing that can be quite effective if used sparingly in the course of a long-running series.
Harns firmly establishes a basic mood and tone for the series in the first issue.
Sniegoski constructs a story that features some very clever and interesting supernatural, and theological aspects.
Wilson’s writing style glitters brilliant in a lightly comic adventure.
Campbell's script draws on a lot of different elements and themes that have been explored in supergirl comics for decades.
Snyder’s concept has been very silly from the beginning.
Howard fits together with the different dynamics of each character in a way that makes them all very distinct.
Johns delivers a very believable alternative history.
Fred Van Lente deftly juggles all of the different characters.
Johnson firmly establishes the sense of action.
It's kind of an interesting dynamic for a heroic series.
Wilson does a strikingly clever job with the foreshadowing.
Bean’s basic premise for the series is actually very clever.