The art’s good. The story isn’t.
All in Drama
The art’s good. The story isn’t.
The overall composition of the issue is enjoyable.
A really fun, well-paced script that is brought to the page by artist Marco Castiello.
Writer and artists occasionally bump into each other in an otherwise satisfying issue.
Black Cat is given her big series intro in a fun story that firmly establishes a classy mood.
Writer Seanan McGuire stylishly reaches the end of a multi-part story with “Hammer to the Heat.”
The combustion at issue’s end more than justifies slow and restless rising tension that’s been going on all year.
A story of rising tension of political drama peppered by strikingly hilarious bits of humor.
Haberlin’s art is atmospheric enough to make Sonata stand out on the rack.
A satisfying end for a refreshing indie story with a promising potential for future issues.
A promising, new story with twinges of political commentary scratching out around the edges of current events.
Joëlle Jones uses the extended space of a special 37-page format to tell one of the single best stories of her run on Catwoman.
An indie-style drama reaches the heaviest point in an issue that gradually builds into promising combustion.
The Amazing Nightcrawler really feels like it’s becoming interesting one month before it ends.
Artist Jorge Corona contrasts powerful destructive forces against subtle human emotion.
Plascencia’s artwork hold the emotionality of the story at a contorted distance.
A really satisfying pairing of plot trajectories for the young Barbara Gordon.
Writer Brian Schirmer’s high fantasy detective noir looks good in its second outing.
A character-driven ensemble drama that isn’t quite living up to its potential.
In the space of a world created to live for only half a year, Thompson and Nadler appear to have a bit too much to try to tackle.