Thompson has a solid grasp on the history .
All in Drama
Thompson has a solid grasp on the history .
There’s a hell of a lot in the heart of the story.
Flynn juggles a big cast of characters with an impressive efficiency.
Weisman moves the narrative along very quickly.
Kindlon keeps the action running.
Aye crafts a script that works on a few different levels.
a very earthbound sort of conversation about things that echo into the abstract.
Bloom has a solid premise that stems from a classic action hero cliche/
Straczynski and Noto do a brilliant job of making it feel new./
Shalvey renders a remarkably sharp distillation of the film franchise.
Brisson and Labosco make a case for an expansion whole franchise.
Thompson continues to make her so appallingly relentless.
Frank is remarkably appealing.
Pichetshote and Tynion are working on several different levels.
There IS something kind of dark and foreboding about the whole thing.
The action isn’t given a whole lot of room to move.
Mercado executes the complexity of the situation.
Carratù has a firm grasp of the fantastic.
Sniegoski fuses a few different subgenres of horror together.
Mice have ears. Mouse Man knows.