The Glowing Man’s visual signature is really impressive.
All in Drama
The Glowing Man’s visual signature is really impressive.
Snejgjerg has a sharp and sensitive execution.
Tynion frames the central conflict of the film as the series draws to a chlling close.
Ganucheau is a storyteller, but she's also an artist.
Kirkman is clearly trying to render some sort of conflict.
Shalvey is painting a story in broad, heroic strokes.
Overall pacing in composition of the script feel almost perfect.
Abstract and intellectual emotional drama.
Loeb opens the series with a big slugfest.
Fiumara keeps the opulence to a striking simplicity.
Condon makes one last stand with the series.
Cereno has a very sharp sense of the dramatic.
The plot intensifies.
Grønbekk has a subtle and nuanced approach.
Rosenberg cranks-up the pacing considerably at the end of the series.
The sheer density of Gillen’s writing reaches something of a critical mass.
FedVan Lnte has a masterful approach to blending all of the characters.
Llovett anchors her narrative very, very closely on the three central characters.
Beem hits the page with a ragged intensity.
Johns is doing a character study for what feels like a sequel.