Given the right narrative momentum The Darkness could really turn into something interesting.
All in Drama
Assorted Crisis Events #7 // Review
Camp’s absurdist/surrealist horror story is insanely clever.
All-New Spider-Gwen: The Ghost Spider #5 // Review
Phillips manages a very tight ensemble of characters.
Absolute Batman #15 // Review
It’s not a comic book so much as it is a really, really illustrated horror story.
Vampirella #7 // Review
Goette delivers the action with a sharp sense of perspective and balance.
ThunderCats: Lost #9 // Review
Thomasi lays-out the action with a nice sense of balance.
The Voice Said Kill #4 // Review
Spurrier is definitely moving into allegorical ground at the end of the series.
The Terminator: Santa Claus Is Coming to Town // Review
The issue gets a lot of mileage out of the image of a cold, emotionless T-800 terminator unit in a Santa suit.
G.I. Joe #15 // Review
Williamson continues the action in a direction that feels progressive.
Inferno Girl Red Book Two #1 // Review
Groom delivers a story that works on multiple different levels.
Death Dog #2 // Review
Robinson does a good job of making the dog in question look both very canine and very cybernetic.
The Department of Truth #34 // Review
James Tynion is working through a crucial period.
Escape #4 // Review
Remender does a strikingly clever job.
Feral #18 // Review
Fleecs continues a pretty brutal look at the lives of domestic pets.
Geiger #18 // Review
The Glowing Man’s visual signature is really impressive.
Hornsby & Halo #12 // Review
Snejgjerg has a sharp and sensitive execution.
Universal Monsters: The Invisible Man #4 // Review
Tynion frames the central conflict of the film as the series draws to a chlling close.
Disney Villains: Maleficent #2 // Review
Ganucheau is a storyteller, but she's also an artist.
Skinbreaker #3 // Review
Kirkman is clearly trying to render some sort of conflict.
Thundercats #21 // Review
Shalvey is painting a story in broad, heroic strokes.