Shalvey continues to add to the lore of this series.
All in Drama
Shalvey continues to add to the lore of this series.
Llovett ratchets-up the tension.
Craig manages to carve a lot of intricacy into a simple fantasy story of a pre-modern army preparing for war.
Remender does a clever job of illustrating the problems with violent revolution.
Fantasy heroes don't often have to deal with that sort of thing: a head cold.
Gillen has a somewhat breathtaking talent for lovingly cramming a tremendous amount of story into tiny, little encounters.
Tynion’s story jumps across the first quarter of the 21st century.
Sniegoski weaves the story quite well.
Shalvey and McConville set up a very simple premise that is very easy to follow.
Campbell’s writing paints big emotions in broad strokes.
Young isn't just spoofing Mary Shelley's classic novel. There's a lot more going on here than that.
The Glowing Woman is a much more powerful statement about survival than anything that Johns came-up with for the title character.
Given the right narrative momentum The Darkness could really turn into something interesting.
Camp’s absurdist/surrealist horror story is insanely clever.
Phillips manages a very tight ensemble of characters.
It’s not a comic book so much as it is a really, really illustrated horror story.
Goette delivers the action with a sharp sense of perspective and balance.
Thomasi lays-out the action with a nice sense of balance.
Spurrier is definitely moving into allegorical ground at the end of the series.
The issue gets a lot of mileage out of the image of a cold, emotionless T-800 terminator unit in a Santa suit.