A premise like this should have overstayed its welcome after … the first couple of pages.
All in Drama
A premise like this should have overstayed its welcome after … the first couple of pages.
It’s the type of thing that can be quite effective if used sparingly in the course of a long-running series.
Sniegoski constructs a story that features some very clever and interesting supernatural, and theological aspects.
Wilson’s writing style glitters brilliant in a lightly comic adventure.
Campbell's script draws on a lot of different elements and themes that have been explored in supergirl comics for decades.
Howard fits together with the different dynamics of each character in a way that makes them all very distinct.
Birks has done an admirable job.
Johns delivers a very believable alternative history.
Johnson firmly establishes the sense of action.
It's kind of an interesting dynamic for a heroic series.
Poke comes across as a deeply relatable character.
Wilson does a strikingly clever job with the foreshadowing.
The latest developments at the end of the 35th issue seem quite promising.
A quick fantasy/drama encounter between magic user and magic creature.
Grønbekk has created a clever, little fusion of Christmas Town and Halloween Town.
Aaron takes a dark fantasy concept and supercharges it.
Brisson does an admirable job in fusing the two different properties.
Powell’s script does a pretty good job of establishing the basic elements of the story.
Horror and comedy spill like poetry out of Priest’s dialogue
Fleecs takes the rulership of Lucky in to Macbeth Act 3 territory as things REALLY begin to unravel.