A firm rooting in a very deep emotional reality that feels quite refreshing.
All in Drama
A firm rooting in a very deep emotional reality that feels quite refreshing.
Rick Remender continues an enjoyable dark fantasy.
Takara’s mastery of dramatic subtlety looks particularly brilliant.
Allen establishes a solidly interesting conflict for Dani.
Cannon concludes his horror mystery.
The visual aspects of the story bind it to the comic book page quite well.
Remender managers a very dark portion of his narrative with a relatively deft hand.
Horvath draws the current series to its inevitable end where quite a bit of intensity.
Pires has a lot of backstory to cover.
There is some degree of poetry in Snyder‘s script.
Wijngaard slams some very, very powerful moments into the page with some pretty overwhelming power.
Jordan’s concept continues to hold a great deal of potential.
It's both silly and absurd, while also being very appealing as an action horror concept.
It’s quite engaging.
There is a considerable amount of poetry in the fantasy that Barbiere is binding to the page.
Remender he is working with an old war thriller cliché.
Smith does a strikingly good job of framing a fantasy story.
Tynion and Bellaire keep the plot, moving in a couple of really tightly written scenes.
Silvestri puts together a few scenes that are solidly entertaining.
Young’s script for the issue in question actually feels remarkably reserved.