What makes The Exorcism so fun IS that balance between delightfully stuffy and formal political drama and darker supernatural horror.
All in Drama
What makes The Exorcism so fun IS that balance between delightfully stuffy and formal political drama and darker supernatural horror.
A satisfying conclusion to a series that’s been unique and distinctive.
Remarkably sophisticated stuff that still manages to be quite exhilarating.
Guidry has found a lot of creative solutions to bringing Barry’s power to the page.
Schultz has a really solid handle on a one-person super-powered drama
Bidikar is cleverly sharp in exploring the narrative.
Tynion moves things further down the path of the unexpected.
Chaves delivers a fast-paced opening to a period action drama.
The depth and texture that are present on the page are really quite beautiful.
The high fashion millieu of the series serves as a perfect glossy backdrop for deep, psychological horror.
Allen set up a very compelling and interesting conflict for Illyana.
Grønbekk weaves a particularly compelling chapter for the Catwoman.
Mulholland edges the dark fantasy into the page with a stylish flare.
Bennett has balanced the script quite well between philosophical drama and action.
King returns Wonder Woman’s comic book to...Wonder Woman.
Wagner and company manage a crisply appealing second chapter to a promising new series.
It's really cool to read something that DeFalco had written recently.
It's a pleasantly disorienting experience.
Cereno takes action hero cliches and boosts them up to like...200-300%.
Gillen is working with an incredibly dense ensemble of characters.